How to Layer Kicks in Logic – EQ, Low Pass & High Pass Filtering
What is EQ?
EQ is a tool that allows you to adjust the tone of the sound you are working on. When elements in the mix are competing for space, the EQ is your friend. Take for example the typical kick and bassline battle; if both are triggered at the same time it’s is very likely you’ll need to cut or boost some frequencies to enable them to ‘sit’ clearly in the mix.
In today’s video we look at Logic’s Channel EQ which offers a large range of scope when it comes to changing the energy of a sound across the 20Hz to 20kHz range. Before you watch it, lets define the two EQ bands that are covered in the video:
High Pass Filter (aka Low Cut)
This band is for reducing low frequency energy – ie bass or unwanted sub bass (20Hz – 60Hz). In studios the room, mic stands or spillage from other instruments can creep into the recording leaving shakers and high hats rather boomy. If you are sampling hats and shakers from vinyl you will often have the tail end of the kick in the sound too so this kind of filter is perfect for trimming the extra baggage.
Low Pass Filter (aka High Cut)
This band is for reducing high frequency energy – ie hiss or the ultra high frequency energy of noise sweeps/hi hats. Synth generated hi hats can have far too much energy up at the higher end of the spectrum – taking up valuable headroom. A chop at 17-18kHz can tidy up things such as this with ease.
As well as the last band on the Channel EQ you will also find dedicated ‘single band’ Low Pass Filter and High Cut plugins. You can use these when you have no need for the full capability of the Channel EQ.
Layering Kicks
In the video Danny J Lewis and fellow Point Blank tutor JC Concato demonstrate these two bands in a practical context by discussing how to layer kicks. To do so they pick two kick samples, one for the low end frequencies and one taking care of the highs. EQ is used to mesh them together into one whole – with a lot more punch. If you are pleased with the result, why not bounce the kick down and start to create your own sample library of unique drum sounds.
Now its time to get thumping and really annoy the neighbours… mwahahahaaa!
This tutorial is a sample from the Mixing Dance Music in Logic Course. Try a free sample and get a feel for how the online courses work by clicking here.
Danny is otherwise known as Enzyme Black, with releases on labels such as Defected, Masters At Work and his own imprint Enzyme Black Recordings. He is the head of course development at Point Blank’s online music production school. If you want to learn more about producing or performing with this unique piece of software, check out our whole range of Logic Courses.
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Very interesting information!Perfect just what I was searching for!